Zelensky warns Ukraine risks losing US support over White House peace plan
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Vladimir Putin says the plan could be the "basis" for peace but warns
Russia is prepared to fight on.
1 hour ago
North America 2007 SUMMER in MAY //usa2007blogspot.com
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Probably the biggest value shift that’s taken place in journalism over recent years has been the increasing centrality of argument to the minute-by-minute lives of writers and reporters. Of course, the give-and-take of debate has always had a cherished place in journalism, whether on op-ed pages or in opinion magazines. But with the rise of blogging and especially Twitter, journalists are spending more and more time immersed in the world of retorts and clever one-liners than ever before. Today it’s inarguable that the journalistic world places a much higher premium on debaters’ skills than it did even four years ago. Last week, we were reminded that Mitt Romney has those skills in abundance. And journalists—not surprisingly, given the current values of our profession—rewarded him handsomely for it.
Barack Obama, on the other hand, doesn’t just lack these skills; everything we know about him suggests that his intellectual makeup pulls in the opposite direction. Before he became a politician, Obama was a long-form writer. And during his political career, he has specialized in writing and delivering elegantly constructed, thoughtful speeches.
Not surprisingly, like many people who gravitate toward long-form writing, Obama’s strengths don’t translate very well to the world of debate, or at least the kind of debate that our new journalistic culture of instantaneous opinion values so highly. For one thing, when he speaks extemporaneously, he pauses frequently and often says “uh.” That sound drove journalists nuts during the debate last week; but where many of my colleagues heard lack of preparation, I heard the tic of a writer wanting to self-edit, trying to buy himself the time to carefully measure his words.
Where many of my colleagues heard lack of preparation, I heard the tic of a writer wanting to self-edit, trying to buy himself the time to carefully measure his words.
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